Edited by Gavin Murphy & Mark Cullen
Published by Onomatopee, Eindhoven
Designed by WorkGroup, Dublin
208 pages, Swiss bound, Full colour
Contributors: Jason E. Bowman, AA Bronson, Noelle Collins, Valerie Connor, Mark Cullen, Céline Kopp & Alun Williams, Joanna Laws, Freek Lomme, Megs Morley, Gavin Murphy, Gavin Wade and Katherine Waugh.
With case studies of spaces and projects: Pallas Projects/Studios, Triangle France, Transmission Gallery, Eastside Projects, Catalyst Arts, Pink Cube, Secession, Dienstgebaeude, Supermarket, FOOTFALL, and The Artist-led Archive.
Part how-to manual, part history, and part socio-political critique, Artist-Run Europe looks at the conditions, organisational models, and role of artist-led practice within contemporary art and society. The aim is to show how artist-run practice manifests itself, how artist-run spaces are a distinctive and central part of visual art culture, and how they present a complex, heterogeneous, and necessary set of alternatives to the art institution, museum and commercial gallery.
In a self-reflexive, critically questioning process, contributions by Jason E. Bowman, AA Bronson, Noelle Collins, Valerie Connor, Mark Cullen, Céline Kopp, Joanna Laws, Freek Lomme, Megs Morley, Gavin Murphy, Transmission Gallery, Gavin Wade, and Katherine Waugh, discuss and analyse areas such as: What position do artist-run spaces occupy within the field of contemporary art today? Should they stand in opposition to or in parallel to other art-world structures? How is value ascribed to these often transitory practices, and is this value recognised within the field? How are these spaces organised? Can artist-run spaces develop and be sustained without the need to institutionalise? What do artist-run spaces add to the ecology of the civil society? What can we say about future (or hoped for) trajectories?